Tuesday, November 24, 2009

Responses to Some of the Cultural Diplomacy Readings

In response to one of the articles that we had to read for last week, “The Return of Cultural Diplomacy,” I think that they tend to underemphasize the impact that U.S. cultural products have. In one section of the article, they remark on how U.S. cultural products have been declining in popularity in certain areas of the world. However, I would argue that although some media forms that are exclusively in English are declining in popularity, the stories and structures of many of these media products are still spreading in use and have been effective in spreading American ideals. I know that a few years ago when I was on a student exchange trip in Russia, I was sitting in my host family’s kitchen when I suddenly heard a familiar tune wafting in from the living room. When I walked into the living room, I saw that most of the family was watching a Russofied version of the once popular show, “The Nanny.” The plotline was exactly the same as the American version, and the only big difference was that the characters spoke Russian.

Now, this Russofication of “The Nanny” might not necessarily spread American values or act as a form of cultural diplomacy, but its success shows that American products are still viable (albeit in different forms) in many parts of the world. The article also failed to talk about the success of a variant of “American Idol” in the Middle East. This show, unlike the example used above, does promote American values by giving usually disenfranchised people the chance to practice voting when they choose their favorite candidates on the T.V. show. Other shows that the article also failed to mention includes the show “Friends,” which was popular in Egypt and which is very popular in China now, which gives common people a largely positive view of the United States.

One more comment that I would like to make is in regard to the article about the Confucian centers being set up around the world to promote a positive view of China. Not only are these centers largely used to promote learning only the Chinese language (a shortcoming the article mentions), but also I believe the Chinese are going about cultural diplomacy all the wrong way. Confucian centers are limited in their ability to reach the general populace, and act more like a plethora of small embassies than anything else. If the Chinese want to be able to change a nation’s views on China, I believe that they will have to create cultural products like those produced by American companies now. I believe that this is the most viable form of cultural diplomacy because inherent in selling any product is taking into account local tastes and interests, thereby ensuring the widespread consumption of the cultural product. If a product is not widely consumed, no matter how effective it is on the few people who consumed the product, then the product is an inefficient use of resources.

3 comments:

  1. You bring up good counter points to the articles we read, giving examples of positive American values being spread through pop culture, but we cannot ignore the negative aspects of U.S. cultural diplomacy. For every positive image of America being distributed abroad, there are probably two negative images. Unfortunately, I don't think these cultural products will be able to truly change the negative view of America that many people have. Even with the example of the show similar to American Idol in the Middle East, the viewers may learn to appreciate the ability to vote after watching the show, but will it really significantly change their view of America and its policies? I agree that American cultural products certainly have a large impact on people around the world, but I don't think this impact is enough. If we want people to truly see America in a positive light and support us we must change our policies, because in the end people are going to care a lot more about the America president's plan for Afghanistan than the image of the American way of life seen on an episode of Friends.

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  2. I really liked your American Idol example here. I'd say that the American Idol format may be the single most prolific and visible version of voluntary cultural diplomacy out there. Idol has versions not only in the Middle East, but elsewhere as well. Eurovision seems to be a European take on Idol mixed with a strong dose of nationalism. The most unique thing bout it is the dynamic of how people vote and its role in cultural diplomacy. According to an article on the Fr33 Agents Network, Azerbaijan actually tracked the votes of its citizens when pitted against cultural enemy Armenia, jailing those voting for the opposing candidate. This is an example of how basic, voluntary cultural diplomacy can have major outside implications.

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  3. I agree with your point about the Confucian centers, although I admire the intentions of the Chinese government. I do believe, however, that it is near impossible to intentionally create a cultural product so popular that it will change the entire world's perception of that country. China's use of the wuxia films in the early 2000s was the beginning, but that is not enough. Since China is becoming an economic superpower in the world and more people are learning Chinese/moving there to work and study, I feel that an improved image of the country will come about gradually. In today's global culture, America has a monopoly on worldwide pop culture phenomena.

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